90s Cartoon theme Songs (by J-Man)

I grew up in the 90's. By the time my little eyes and ears could comprehend what they were being subjected to, the era of mad animation had already begun. The 1990's were a colourful time, from the acid induced dance music to the sugar and additive-laden neon sweets and drinks. Luckily the animated shows we were given were no different.
Accelerating from the successful franchises of the 80's, most of which made money from the toy and merchandise tie-ins, the animation of the 1990's seemed to blast full speed with style, irreverence and a no holds barred approach to the premise of new shows.

But no matter which show you loved the most (or simply just watched because you didn't have anything better to do while you eat refreshers and drank panda pop) the first and most resonating taste of a cartoon is its theme. And the 90's gave us some wonderful themes.

*Be warned, if you begin looking up some of these themes on youtube it's very likely you will succumb to the endless black hole of intro's. Just as Scott and I did.*

The list of catchy choruses, magical melodies and bouncing bass lines are endless. I have a special affinity for theme songs. There is something potent about the tiny snapshot of music purpose-built to set the tone of a show. Each one is like a 30 second score, encompassing the feel, the energy and often the premise of the show to come. Those of you who have stepped foot in Super Shakes will probably have noticed a handful of themes in the shop playlist (In between copious amounts of Seal). So if I took the time to go over every jingle that puts a smile on my face then this would be an incredibly long blog. [Though honourable mentions go to any theme without lyrics such as Doug, Rugrats, Ren and Stimpy; and to superstar composer Danny Elfman]
For the purpose of time and sanity I'll instead present to you 3 observations during my time in the infinite back-to-back session of intro videos. So if you are simply a curious party or are in the process of creating your own authentic sounding 90's theme song, keep these in mind.

Rule 01: 90's keep it brief

Apart from the quality of the animation and the steady decline of muscular He-Men, a new trend also occurred - swifter intros. Just as every comic is somebody's first, the same applies for cartoons with their self contained stories and repeatability. Because of this many 80's shows began with an intro that was in itself a prologue, as is the case of the hilarious and infectious opening to Ulysses 31. [Check it out here - https://youtu.be/OZ4c1X5ene8 ]
But once we past the invisible decade barrier, things start to get more straight to the point.
Maybe it was because the old style was beginning to feel tired, maybe it was to simply shave an extra minute and a half off the total run time. There is a good chance that it was because as we merged into the era of lunacy and (Ani)maniacs there was no story structure.
"Mama had a chicken! Mama had a cow! Dad was proud, and he didn't care how!"
Enough said.

Rule 02: Ducks have Soul

The musicianship behind theme tunes is often passed by. Since most of the themes are over and done with in 30 seconds, a lot of these gems and respective artists don't get to become as recognised as the 30 seconds (or less) of effort that goes in to most modern pop songs. And although there were many thematic changes to soundtracks as time progressed including Guitar riffs getting more fiery and saxophones (unfortunately) dissipating, one trend I did notice was that shows with ducks had a passionate theme that few competed with.
Lets begin with Duckula (Which began in the 80's but waddled into the Nine-zero's). Beginning with a dark and spooky backstory and blackened images, all is blasted away once the vocals burst in. I get the impression if the theme was a minute longer we would have some glass shattering vibrato on our hands. At several points there are moments when it is as if the microphone they used cant actually handle the singing. Kudos to the composers for making the very silly premise of this show get glossed over by the energetic theme.
From Duck vampires to Duck crusaders, namely DW - Darkwing Duck. This Noire-styled big-billed master of surprise had a hearty theme too. In order to even attempt to replicate the pipes on this performer you have to fill your lungs first. You can just hear the force in their voice as they repeat the title of the show, to the point where when the second verse comes in the whole song seems muted in comparison. But so do many things after you listen to this theme a few times, its hefty.
Then in 1996 as if there weren't enough rich vocals and duck centred animations; along comes The Mighty Ducks. Not the rousing live-action family comedy starring a handful of young actors (Including the future Foggy Nelson from Daredevil sporting virtually the same haircut). This is jacked up, colourful, anthropomorphic ducks playing hockey, and the theme is just as mighty. The entire song seems to be shouted and the eager singer can barely get the first sentence finished without adding some vocal flair. The incredible intensity of this theme leaves no doubt about the final statement "Ducks Rock!".

This correlation between bombastic birds and soulful songs doesn't end there. A post millennium show Duck Dodgers has a theme performed by none other than world renowned welshman Tom Jones. And if thats not enough, need I mention one of the the most catchy themes of all - a Tale of a rich Duck who famously dives into his vault of Gold coins? I'm sure you can hear it in your head already. [If not click here to develop a tick that makes you "Woo-Oo" impulsively anytime you hear the title of the show - https://youtu.be/9DXo5haNd9M ]


Rule 03: Repeat the title as many times as possible

It goes without saying that if you want someone to remember your brand, you need them to remember the name. It's quite possible this marketing tactic was discovered in the late 80's. Pick 5 cartoons that ran in the 90's, and sing the theme. (Feel free to do it in your head if you don't want to look like a Freakazoid at the coffee shop). I'd bet that you said the title of the show at least 3 times. Yes it's intended and yes it almost seems silly once highlighted (Try the theme game again with 5 HBO shows; it's very different. I'm betting on 0), but it also puts a recognisable time stamp on our cartoons, a loveable paradigm of silliness.
This may have most memorably begun with a group of adolescent-genetically irregular- Japanese covert martial arts practicing-amphibians. Yes Leo, Donnie, Mikey and Raph's unquestionable chant, which although formed in the late 80's ran deep into the hearts, minds, and dreams of 90's kids everywhere. Brought to life by the mastermind of mindless repetition Chuck Lorre (See Two and a Half Men & Big Bang Theory - J-Man), who may have unintentionally begun a more overt tradition for shows created afterwards. Notably Earthworm Jim, W.I.L.D Cats, Hey Arnold and Rocko's Modern Life all follow the formula that shouting the title is key to a good theme.
You can see this method working in the Spider-Man cartoon series (Theme co-written by Media Mogul and Power Rangers creator Haim Saban). The words are repeated to the point that the synthesised vocoder chanting goes askew into saying Spider-anything. It's almost as if the singer was exhausted or Joe Perry(Of Aerosmith)'s face melting guitar was tiring them out. I used to think that at one point he was saying Spider-Glider in reference to hobgoblin showing up on screen, but it works for any word you can cram into those syllables. Spider-pamphlet. Spider-burger. Spider-spleen. You get the point.
And as if to prove that the musicians and melody makers behind all of these knew what they were doing - See Exhibit B - Bucky O' Hare. The action packed, detailed crammed opening doesn't forget to add the secret sauce; the name Bucky O' Hare is mentioned various times as are most of the other characters. But as we reach the end there is a very self aware moment where after definitely screaming the name several times one vocalist asks the other "Did you say Bucky?" as if they have a quota to fill. Without a beat his colleague replies "I said Bucky." and they both harmonise for a final "Bucky O'Hare!". This not only adds another few name drops to the counter but is a wonderful little giggle at themselves and the absurdity of their job.

To sum up, Memory can be measured by recall, recognition and relearning. With the constant barrage of names and vivid images drilled into our heads several times over before we have even seen the show - our capability to recite, recognise and build on our knowledge may explain why 90's shows and their themes were so (literally) unforgettable.

- J-Man

(@TheMindofJMan)

"Elvis Presley" Review

When I decided to review an Elvis album for this blog it struck me how much expectation I bring to anything Elvis. Elvis is so ingrained in pop culture appearing in so many forms, accurate and parody, that I have a very specific image in my head of what to expect. To me, rightly or wrongly, this is the rhinestone spattered jumpsuit glad Vegas Elvis. It was because of that image that I actually decided to review this album, his debut album, 1956’s “Elvis Presley”.

I should quickly highlight that I am actually reviewing the 1999 reissue with a couple of bonus tracks. I thought this would give me a wider selection of songs from this period. Additional Elvis songs are always a good thing, right? Erm … no.

Of the 19 tracks on the album two thirds are pretty much standard 50’s fair. They feel and sound like they could be released by almost any of the similar country rock’n’roll stars of the period. Although Having Elvis sing them with his distinctive voice does make them more interesting. While they may be interesting they are not the kind of songs that would inspire a generation to scream and shout or for musicians to go and create something new. They feel safe, which when you realise that this is a debut album starts to make a little sense. Elvis may become the king of rock’n’roll but he is starting by introducing himself with something that people know. Of these there was one standout worth mentioning, “One sided love affair”.

Being safe is one thing but doing covers is one step further. This album contains several covers that I recognise from other artists “Blue Moon”, “tutti Frutti”, “Shake, Rattle and Roll” and “Blue Suede Shoes”. While the first group of songs were fine, two of these covers (“Blue Moon” and “tutti Frutti”) are awkward and feel incredibly out of place. These two songs are so clearly not designed for Elvis’s voice that I could not listened to them a second time. Shake, Rattle and Roll is an enjoyable step up, fitting the Elvis style but still does not completely feel like an Elvis song. The final cover however is great. Elvis’s version of “Blue Suede Shoes” is classic and does exactly what it is supposed to do. It introduces what Elvis can do with a recognisable song. As a song it is catchy and a lot of fun.

However, there is something amazing on this album, “Heart Break Hotel”. This is an incredible song and one of my favourite Elvis songs. This song alone stands out as a flash of brilliance and a glimpse of what Elvis would quickly produce on a regular basis.

As an album I found this disappointing. As a milestone for Elvis it is interesting but by no means essential. Throughout the album there are moments demonstrating what he could do but the majority of the songs feel like they are being held back, kept at a level that was already common for this kind of music. The standout is Heart Break Hotel which is the turning point, the siren call that Elvis is something different. I enjoy Elvis as an artist but listening to this album confirmed something for me. I am not an Elvis fan. I really enjoy the “best of Albums” but I don’t have a need to go beyond that. In some way’s this is a little sad, on the other it means I can enjoy that best of album, knowing that I really do think this is the best of this work. 

"Sgt. Pepper’s Lonely Hearts Club Band" Review

I have written quite a few reviews of films and a couple of books over the years. That’s not to say that they’re any good but I am more experienced reviewing those. So when I decided to try reviewing an album, a Beatles album no less, I wasn’t sure where to start. I have no musical ability or technical knowledge, so that only left me with how the songs and overall album make me feel, which let’s be honest, is the only thing that really matters.

“Sgt. Pepper’s Lonely Hearts Club Band” was released in June 1967. It is considered the height of the Beatles creative collaboration and one of the greatest albums of all time. So is it any good? Actually yes, it is very good and I was able to listen to it repeatedly over three days without getting bored of it.

This album can be dropped into and the songs listened to and enjoyed individually. There are several that I really enjoy, “Lucy in the sky with Diamonds”, “Being for the Benefit of Mr. Kite!” and “A day in the life” all of which are predominantly credited to John Lennon. I wasn’t aware of this until after listening to the album and doing the research for the podcast on the Beatles.  In my opinion these are the songs that feel the most contemporary, even today. It would appear that John Lennon may have been my favourite Beatle.

However the real joy comes from listening to the whole album. This is a case of the whole being greater than the sum of its parts. Yes the songs are good but the album is a great show. You are welcomed with energy and joy to the show. It then continues from there with ups and downs, all the time with energy and creativity. This album is a tour of styles and imagination from each of the members combined.

When the show is over there is an encore, “A day in the life”, a combination of Lennon and McCartney Lyrics telling two different stories. The tone of the song is different from the rest of the album. A coda highlighting the creative brilliance of the band and how they cover so many different styles and had the ability to balance artistic merit with humour and fun.

If you want to get into the Beatles start at the beginning and experience them as they evolve and grow. If you are looking for the best from a band at its creative height then I strongly recommend enjoying the show put on by Sgt. Pepper’s Lonely Hearts Club Band.